Tar Pits: Megan Plunkett, Janet Jenkins & Alison Veit
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Mar 4–Apr 15, 2017
Press Release (PDF)
Los Angeles seems to cycle through its own mythologies. Buildings are easily torn down once they become irrelevant, replaced by clunky aspirational new developments with their new fictions. Synthetic and natural growth become interchangeable, creating an illusory environment without clear boundaries.
Tar Pits: Megan Plunkett, Janet Jenkins & Alison Veit, Redling Fine Art, Los Angeles, 2017. Installation view.
Tar Pits: Megan Plunkett, Janet Jenkins & Alison Veit, Redling Fine Art, Los Angeles, 2017. Installation view.
Tar Pits: Megan Plunkett, Janet Jenkins & Alison Veit, Redling Fine Art, Los Angeles, 2017. Installation view.
Tar Pits: Megan Plunkett, Janet Jenkins & Alison Veit, Redling Fine Art, Los Angeles, 2017. Installation view.
Tar Pits: Megan Plunkett, Janet Jenkins & Alison Veit, Redling Fine Art, Los Angeles, 2017. Installation view.
Megan Plunkett, Nail Boxed on Wall Cupboard. Split Wood Furniture? It's Ok 01 - 07, 2016, Digital prints on paper, glass, plexiglass, hardware in artist frame, 11 x 14.5 inches.
Janet Jenkins, VsalBaO, 2017, Oil paint, marker, and oil stick on panel, 35 x 60 inches.
Alison Veit, Oracle, 2017, Hydrostone, sand, ink and mirror , 18.5 x 19.5 x 3.5 inches.