News & Information:

This weekend is the last chance to see Walead Beshty & Kelley Walker’s Hardbody Software at Redling Fine Art

The culmination of Liz Glynn’s ArtPace residency, the exhibition Hold Nothing now on view in San Antonio, TX through May 18th.

Dashiell Manley will be included in the 2014 Whitney Biennial


Liz Glynn, Jason Kraus, and Dashiell Manley have all donated work to the 2014 CalArts Benefit and Auction

Brian O’Connell will be included in the 2014 “Made in LA” Biennial at the Hammer Museum


Walead Beshty + Kelley Walker, HARD BODY SOFT WARE, will open February 26th, 6 – 8pm


The Siren Song of Liz Glynn: The Artist on Shipwrecks, Pirates and Sending a Performer to Staten Island,, By Micheal H. Miller


The Guggenheim just uploaded this little conversation between two of our favorite people: Erlea Maneros Zabala & Renaud Proch 


Liz Glynn’s first solo show at Paula Cooper Gallery On the Possibility of Salvage opened Saturday January 11th


Liz Glynn’s On the Possibility of Salvage a Critics’ Pick in ArtForum


Erlea Maneros Zabala: Process & Method, Guggenheim, Bilbao, October 31st – February 16th


Last Saturday, January 19th was Liz Glynn’s LAST [de]-lusions of Grandeur performance at LACMA focusing on Donald Judd’s Untitled (for Leo Castelli). The performance took place near the tar pit in Hancock Park at 1pm


Liz Glynn’s fourth [de]-lusions of Grandeur performance at LACMA focused on Smoke by Tony Smith, December 14th, 1pm.  Located near Smoke in the Ahmanson.  BE THERE OR BE A POLYHEDRON !


Redling Fine Art at NADA, Florida, December 5th – 8th


NOW ON VIEW Jason Kraus‘ third solo show at Redling Fine Art: Concrete Form


Liz Glynn’s third [de]-lusions of Grandeur performance at LACMA focusing on the work of Richard Serra


Brian O’Connell included in Architecture Undigested at Fused Space


Dashiell Manley included in Dress Rehearsal at Galerie Andreas Huber.  Curated by Franklin Melendez


Liz Glynn now represented by Paula Cooper Gallery


JJ PEET: Daniel Peet and JJ PEET In Proximity at Gallery Diet, Miami FL from April 19th – June 1st, 2013


New Artist Dashiell Manley /// New Artist Dashiell Manley///New Artist Dashiell Manley


Liz Glynn incluced in Neo Povera, at L&M Arts, Los Angeles running May 23rd – July 6th, 2013


Liz Glynn included in Works Sited, reprised curated by Olivian Chan at Cleopatra’s, New York, from May 5th – June 30th


Dashiell Manley: The Great Train Robbery (Scene 3 version B) one of LAWeekly’s Five Artsy Things To Do This Week


Liz Glynn: in the Guardian Frieze New York turns two with a giant balloon dog and a VIP-free speakeasy


Liz Glynn: in The Art Newspaper Free drink! If you’re lucky…


Liz Glynn in W Magazine: What to see at the 2nd annual Frieze Art Fair


JJ PEET: Floating Heads and Time Collector reviewed by Carol Cheh in Artillery


Erlea Maneros Zabala: Past Work reviewed by Sharon Mizota in the Los Angeles Times


Erlea Maneros Zabala included in Blind Spot issue 46 guest edited by Walead Beshty


Liz Glynn in Modern Painters: What She Finds: Histories through objects by Emily Ellis Fox


Silas Asher Kraus Born 3/13/13 @ 5:11pm  9lb 3oz !!!


Liz Glynn: [de]-lusions of Grandeur: The Myth of Getting It Right the First Time previewed on Unframed: the LACMA blog


Learn more about Liz Glynn’s performance series, [de]-lusions of Grandeur, at LACMA, here


Liz Glynn: highlighted in Buck the Trend: Artists Channel Buckminster Fuller on Gallerist NY trends


JJ PEET: included in Art Review’s Future Greats: 28 Artists for Tomorrow Selected by Leading Artists, Critics and Curators of Today by Tom Sachs


JJ PEET Review: A last love letter from a sunsetting civilization in ArtSlant.  by Andrew Berardini


Brian O’Connell Interview: Brian O’Connell Suya Açılan Delikler… | Openings to the water… in Sanat Dunyamiz, with Mine Haydaroglu.


JJ PEET Review: Floating Heads and Time Collector in the Los Angeles Times. by Holly Myers


JJ PEET: Floating Heads and Time Collector one of LAWeekly’s Five Artsy Things To Do This Week


JJ PEET: Floating Heads and Time Collector featured in ArtSlant’s Some Shows We Think You Should See


Mario Correa: The reticence of the artist / the anticipation of the questioner. Mario Correa and Geoff Tuck on Notes on Looking


Mario Correa: featured in The Huffington Post’s Haiku Reviews


Liz Glynn:  [de]-lusions of Grandeur: The Myth of Singularity (after Rodin)  one of the LAWeekly’s Five Artsy Things to Do This Week


Mario Correa: The Muslins reviewed by Christopher Knight in the Los Angeles Times


Bob Law: Castle XXXIX, 1976 one of’s Best of 2012 by Travis Diehl 


Liz Glynn: One of’s 25 artists to watch in 2013


JJ PEET: DEFEND_Station highlighted by Martin Herbert for Art Review 


JJ PEET: DEFEND_Station in purple DIARY


JJ PEET: DEFEND_Station in Time Out New York


JJ PEET: DEFEND_Station one of Modern Painters 100 Fall Shows to See Around the World 


JJ PEET: DEFEND_Station highlighted by Allison Meier for ARTINFO


Liz Glynn awarded a Center for Cultural Innovation – Investing in Artist Grant for Artistic Innovation


Liz Glynn: HOARD at


Liz Glynn: HOARD in ArtSlant


Mario Correa’s new woodblock print installation at Ooga Booga, 943 North Broadway, Chinatown, Los Angeles opened March 18th, 2012


Redling Fine Art in the LAWeekly


Redling Fine Art in Du Jour magazine


Jason Kraus: Edits on


Bob Law: Castle XXXIX, 1976 reviewed in the Los Angeles Times


Jason Kraus: Dinner Repeated reviewed by Holly Myers in the LA Times


Jason Kraus: Dinner Repeated one of LA Weekly’s Five Artsy Things to Do This Week

Liz Glynn: No Second Troy reviewed in Artforum


Liz Glynn: No Second Troy reviewed in ArtScene


Erlea Maneros Zabala: highlighted in Artforum’s critics’ pick for Affective Turns?


Liz Glynn: The Rise and Fall of Liz Glynn by Andrew Berardini, Mousse Magazine, December 2011 – January 2012, pages 148 – 154


Brian O’Connell: Not Quite Rejection in

Liz Glynn: Artist Liz Glynn, Destroyer of Cities, Sets Sights on Troy, The Standard, culture blog


Brian O’Connell: Ways and Means in the Los Angeles Times