News & Information:
Redling Fine Art is participating in ArtBandini: Friday, January 29th 6-10pm, Saturday, January 30th 4-8pm, and Sunday, January 31st, 4-8pm. 4006 N Figueroa Street, Los Angeles, CA 90065. Click here for more details
Dashiell Manley in Performing the Grid at Ben Maltz gallery at Otis, which opened January 23rd
Congratulations to Liz Glynn on receiving the Creative Capital Grant Award. We can’t wait. Click Here for more details
Last week of Martin Kersels: Seen and Heard here at Redling Fine Art. Don’t Miss It
Martin Kersels’ show, Seen and Heard was reviewed in the Los Angeles Times. Check it out here
Liz Glynn gave an artist talk in conjunction with her exhibition, the Myth of Singularity, at LACMA Friday, January 15th, at 7:30 pm. Click Here for more details
Happy Holidays! Redling Fine Art will be closed December 22nd, 2015 to January 4th, 2016. Martin Kersels’ Seen and Heard will remain open after the holidays through January 16th, 2016
Redling Fine Art will be closed Thursday, November 26 — Monday, November 30 for Thanksgiving. We will reopen with regular hours, 10 am to 6 pm, on Tuesday, December 1st.
Martin Kersels: Seen and Heard opened last Sunday, November 22, 3 – 5pm at Redling Fine Art
Liz Glynn’s Myth of Singularity at LACMA was featured in LA Weekly’s 5 Art Shows to See in L.A. This Week
Liz Glynn’s Myth of Singularity at LACMA was reviewed in Wallpaper magazine.
Dawn Kasper worked in the Machine Project gallery at the Tang Museum from October 20 through 24 in open rehearsals, developing a piece that culminated with a final public performance on October 24 at 2 pm.
Redling Fine Art Expanded Space ReOpened October 4th, 2015 with: Jason Kraus five hundred and thirty three x five hundred and ninety one
Brian O’Connell and Corey Fogel were both in NEW WORKS SALON XXIX: BAHTO/WADA, FOGEL, IANNAZZI, JENKINS, JONES, O’CONNELL, RAVELO, which opened Saturday September 19th at the Echo Park Film Center.
Liz Glynn opened PATHOS (The Blind Exercises) at Paula Cooper Gallery September 11, 2015.
Liz Glynn was part of the Visiting Faculty 2015-16 show at the Harvard Carpenter Center for the Arts, from September 1-27, 2015, and will be a visiting professor there later this year
Dawn Kasper performed WHAT IS TIME? as part of “Pictures of the Moon with Teeth” curated by Kristan Kennedy, Portland Institute for Contemporary Art (PICA), Portland, Oregon
a part of TBA September 10 – October 11, 2015.
The Fireplace Project exhibited Dashiell Manley : a solo exhibition . His work was displayed in East Hampton until September 14th.
Liz Glynn performed at the Barbican London with Station to Station until July 26th. For more information, click here
Dawn Kasper conducted a series of actions at the gallery from May 21st to May 31st, culminating in a durational performance Sunday May 31st at 4p.
Dawn Kasper‘s first solo exhibition at Redling Fine Art: THE AGE OF ANXIETY was open through July 3rd
We presented a recording of the U.S. Première of Stephen Prina’s String Quartet for Six Players , 1976 at 11a, 1p, 3p & 5p
We presented a recording of Corey Fogel’s I am smiling at you, 2015 at 10a, 12p, 2p & 4p
Donate to our friend Tim Buggs AIDS/Lifecycle ride HERE… NOW
Donate to our friend Violet Hopkins AIDS/Lifecycle ride HERE… NOW
New images of Jason Kraus’ show at Algus Greenspon, Finished objects
Erlea Maneros Zabala was named one of the 20 most influential Spanish women in art in El Mundo’s magazine: Yodona
We hope you saw the new project by Jason Kraus: Finished Objects at Algus Greenspon in New York. January 28-February 21, 2015.
GloMar II: Strange Engineering (a Giant 8 Fingered Crane) opened Saturday January 31st, and ran through March 14th, 2015
Liz Glynn‘s project for Pier 54 on the High Line in New York was up through December 13th, 2014
GloMar: Axis of Information opened Saturday November 15th. Opening from 6-8 pm
Redling Fine Art closed November 27th through November 29th for Thanksgiving
Erlea Maneros Zabala was in Suturak cerca a lo próximo at the San Telmo Museum in Madrid, which opened October 24
Dawn Kasper & Liz Glynn performed cosmo[il]logical I at the gallery November 1st and 2nd.
Liz Glynn & Dawn Kasper again at Art Basel Miami Beach: cosmo[il]logical II , Art Public, curated by Nicholas Baume
Dashiell Manley: Company and Conversations at Redling Fine Art September 6 – October 25, 2014
Dashiell Manley’s work was on view at the Los Angeles County Museum as part of Variations: Conversations in and Around Abstract Painting
TURN ON, TUNE IN, DROP OUT… Brian O’Connell was discussed on KCRW as I type
Brian O’Connell was included in the Hammer Museum’s Made in LA 2014
Liz Glynn’s Golden Touch in Interview Magazine
Liz Glynn’s first solo project at a New York museum, RANSOM ROOM , was on view at SculptureCenter through July 28th.
The culmination of Liz Glynn’s ArtPace residency, the exhibition Hold Nothing, was on view in San Antonio, TX March 20th – May 18th, 2014
Dashiell Manley included in the 2014 Whitney Biennial
The Siren Song of Liz Glynn: The Artist on Shipwrecks, Pirates and Sending a Performer to Staten Island, Galleristny.com, By Micheal H. Miller
The Guggenheim uploaded this little conversation between two of our favorite people: Erlea Maneros Zabala & Renaud Proch
Liz Glynn’s On the Possibility of Salvage a Critics’ Pick in ArtForum
Liz Glynn’s first solo show at Paula Cooper Gallery On the Possibility of Salvage opened Saturday January 11th
Erlea Maneros Zabala: Process & Method, Guggenheim, Bilbao, October 31st – February 16th
January 19th was Liz Glynn’s LAST [de]-lusions of Grandeur performance at LACMA focusing on Donald Judd’s Untitled (for Leo Castelli). The performance took place near the tar pit in Hancock Park
Liz Glynn’s fourth [de]-lusions of Grandeur performance at LACMA focused on Smoke by Tony Smith.
Redling Fine Art at NADA, Florida, December 5th – 8th
Jason Kraus‘ third solo show at Redling Fine Art: Concrete Form
Liz Glynn’s third [de]-lusions of Grandeur performance at LACMA focusing on the work of Richard Serra
Brian O’Connell included in Architecture Undigested at Fused Space
Dashiell Manley included in Dress Rehearsal at Galerie Andreas Huber. Curated by Franklin Melendez
Liz Glynn now represented by Paula Cooper Gallery
JJ PEET: Daniel Peet and JJ PEET In Proximity at Gallery Diet, Miami FL from April 19th – June 1st, 2013
New Artist Dashiell Manley /// New Artist Dashiell Manley///New Artist Dashiell Manley
Liz Glynn included in Neo Povera, at L&M Arts, Los Angeles running May 23rd – July 6th, 2013
Liz Glynn included in Works Sited, reprised curated by Olivian Chan at Cleopatra’s, New York, from May 5th – June 30th
Dashiell Manley: The Great Train Robbery (Scene 3 version B) one of LAWeekly’s Five Artsy Things To Do This Week
Liz Glynn: in the Guardian Frieze New York turns two with a giant balloon dog and a VIP-free speakeasy
Liz Glynn: in The Art Newspaper Free drink! If you’re lucky…
Liz Glynn in W Magazine: What to see at the 2nd annual Frieze Art Fair
JJ PEET: Floating Heads and Time Collector reviewed by Carol Cheh in Artillery
Erlea Maneros Zabala: Past Work reviewed by Sharon Mizota in the Los Angeles Times
Erlea Maneros Zabala included in Blind Spot issue 46 guest edited by Walead Beshty
Liz Glynn in Modern Painters: What She Finds: Histories through objects by Emily Ellis Fox
Silas Asher Kraus Born 3/13/13 @ 5:11pm 9lb 3oz !!!
Liz Glynn: [de]-lusions of Grandeur: The Myth of Getting It Right the First Time previewed on Unframed: the LACMA blog
Learn more about Liz Glynn’s performance series, [de]-lusions of Grandeur, at LACMA, here
Liz Glynn: highlighted in Buck the Trend: Artists Channel Buckminster Fuller on Gallerist NY trends
JJ PEET: included in Art Review’s Future Greats: 28 Artists for Tomorrow Selected by Leading Artists, Critics and Curators of Today by Tom Sachs
JJ PEET Review: A last love letter from a sunsetting civilization in ArtSlant. by Andrew Berardini
Brian O’Connell Interview: Brian O’Connell Suya Açılan Delikler… | Openings to the water… in Sanat Dunyamiz, with Mine Haydaroglu.
JJ PEET Review: Floating Heads and Time Collector in the Los Angeles Times. by Holly Myers
JJ PEET: Floating Heads and Time Collector one of LAWeekly’s Five Artsy Things To Do This Week
JJ PEET: Floating Heads and Time Collector featured in ArtSlant’s Some Shows We Think You Should See
Mario Correa: The reticence of the artist / the anticipation of the questioner. Mario Correa and Geoff Tuck on Notes on Looking
Mario Correa: featured in The Huffington Post’s Haiku Reviews
Liz Glynn: [de]-lusions of Grandeur: The Myth of Singularity (after Rodin) one of the LAWeekly’s Five Artsy Things to Do This Week
Mario Correa: The Muslins reviewed by Christopher Knight in the Los Angeles Times
Bob Law: Castle XXXIX, 1976 one of Artforum.com’s Best of 2012 by Travis Diehl
Liz Glynn: One of Complex.com’s 25 artists to watch in 2013
JJ PEET: DEFEND_Station highlighted by Martin Herbert for Art Review
JJ PEET: DEFEND_Station in purple DIARY
JJ PEET: DEFEND_Station in Time Out New York
JJ PEET: DEFEND_Station one of Modern Painters 100 Fall Shows to See Around the World
JJ PEET: DEFEND_Station highlighted by Allison Meier for ARTINFO
Liz Glynn awarded a Center for Cultural Innovation – Investing in Artist Grant for Artistic Innovation
Liz Glynn: HOARD at KCET.org
Liz Glynn: HOARD in ArtSlant
Mario Correa’s new woodblock print installation at Ooga Booga, 943 North Broadway, Chinatown, Los Angeles opened March 18th, 2012
Redling Fine Art in the LAWeekly
Redling Fine Art in Du Jour magazine
Jason Kraus: Edits on Dailyserving.com
Bob Law: Castle XXXIX, 1976 reviewed in the Los Angeles Times
Jason Kraus: Dinner Repeated reviewed by Holly Myers in the LA Times
Jason Kraus: Dinner Repeated one of LA Weekly’s Five Artsy Things to Do This Week
Liz Glynn: No Second Troy reviewed in Artforum
Liz Glynn: No Second Troy reviewed in ArtScene
Erlea Maneros Zabala: highlighted in Artforum’s critics’ pick for Affective Turns?
Liz Glynn: The Rise and Fall of Liz Glynn by Andrew Berardini, Mousse Magazine, December 2011 – January 2012, pages 148 – 154
Brian O’Connell: Not Quite Rejection in dailyserving.com
Liz Glynn: Artist Liz Glynn, Destroyer of Cities, Sets Sights on Troy, The Standard, culture blog
Brian O’Connell: Ways and Means in the Los Angeles Times