News & Information:


Through May 9th….

At 11a, 1p, 3p & 5p we will present a recording of the U.S. Première of Stephen Prina’s String Quartet for Six Players , 1976

At 10a, 12p, 2p & 4p we will present a recording of Corey Fogel’s I am smiling at you, 2015


U.S. Première of Stephen Prina’s String Quartet for Six Players, 1976      Thursday April 30th       8pm      Please RSVP to Include the performance you would like to attend and the number in your party.


New images of Jason Kraus’ show at Algus Greenspon, Finished objects , are up!


join ForYourArt on a Hollywood Walk of Art: The Awards Shows on Saturday, February 28th, 11am to 6pm and see GLoMar II: Strange Engineering (a Giant 8 Fingered Crane) if you haven’t already


Erlea Maneros Zabala was named one of the 20 most influential Spanish women in art in El Mundo’s magazine: Yodona


We hope you saw the new project by Jason Kraus: Finished Objects at Algus Greenspon in New York. January 28-February 21, 2015.


GloMar II: Strange Engineering (a Giant 8 Fingered Crane) opened Saturday January 31st, and runs through March 14th, 2015


Liz Glynn‘s project for Pier 54 on the High Line in New York was up through December 13th, 2014


GloMar: Axis of Information opened Saturday November 15th. Opening from 6-8 pm


Redling Fine Art was closed November 27th through November 29th for Thanksgiving


Erlea Maneros Zabala is in Suturak cerca a lo próximo at the San Telmo Museum in Madrid, which opened October 24


Dawn Kasper & Liz Glynn performed cosmo[il]logical I here at the gallery November 1st, 8 pm and November 2nd, 5 pm.


Catch the duo of Liz Glynn & Dawn Kasper again at Art Basel Miami Beach: cosmo[il]logical II , Art Public, curated by Nicholas Baume


NOW OPEN NOW OPEN Dashiell Manley: Company and Conversations NOW OPEN NOW OPEN



Dashiell Manley’s work on view at the Los Angeles County Museum as part of Variations: Conversations in and Around Abstract Painting  BCAM Level 3


TURN ON, TUNE IN, DROP OUT… Brian O’Connell is being discussed on KCRW as I type


Brian O’Connell was included in the Hammer Museum’s Made in LA 2014 


Liz Glynn’s Golden Touch in Interview Magazine


Liz Glynn’s first solo project at a New York museum, RANSOM ROOM , was on view at SculptureCenter through July 28th.


The culmination of Liz Glynn’s ArtPace residency, the exhibition Hold Nothing, was on view in San Antonio, TX March 20th – May 18th, 2014


Dashiell Manley included in the 2014 Whitney Biennial


The Siren Song of Liz Glynn: The Artist on Shipwrecks, Pirates and Sending a Performer to Staten Island,, By Micheal H. Miller


The Guggenheim just uploaded this little conversation between two of our favorite people: Erlea Maneros Zabala & Renaud Proch


Liz Glynn’s On the Possibility of Salvage a Critics’ Pick in ArtForum


Liz Glynn’s first solo show at Paula Cooper Gallery On the Possibility of Salvage opened Saturday January 11th


Erlea Maneros Zabala: Process & Method, Guggenheim, Bilbao, October 31st – February 16th


Last Saturday, January 19th was Liz Glynn’s LAST [de]-lusions of Grandeur performance at LACMA focusing on Donald Judd’s Untitled (for Leo Castelli). The performance took place near the tar pit in Hancock Park at 1pm


Liz Glynn’s fourth [de]-lusions of Grandeur performance at LACMA focused on Smoke by Tony Smith, December 14th, 1pm.  Located near Smoke in the Ahmanson.  BE THERE OR BE A POLYHEDRON !


Redling Fine Art at NADA, Florida, December 5th – 8th


Jason Kraus‘ third solo show at Redling Fine Art: Concrete Form


Liz Glynn’s third [de]-lusions of Grandeur performance at LACMA focusing on the work of Richard Serra


Brian O’Connell included in Architecture Undigested at Fused Space


Dashiell Manley included in Dress Rehearsal at Galerie Andreas Huber.  Curated by Franklin Melendez


Liz Glynn now represented by Paula Cooper Gallery


JJ PEET: Daniel Peet and JJ PEET In Proximity at Gallery Diet, Miami FL from April 19th – June 1st, 2013


New Artist Dashiell Manley /// New Artist Dashiell Manley///New Artist Dashiell Manley


Liz Glynn included in Neo Povera, at L&M Arts, Los Angeles running May 23rd – July 6th, 2013


Liz Glynn included in Works Sited, reprised curated by Olivian Chan at Cleopatra’s, New York, from May 5th – June 30th


Dashiell Manley: The Great Train Robbery (Scene 3 version B) one of LAWeekly’s Five Artsy Things To Do This Week


Liz Glynn: in the Guardian Frieze New York turns two with a giant balloon dog and a VIP-free speakeasy


Liz Glynn: in The Art Newspaper Free drink! If you’re lucky…


Liz Glynn in W Magazine: What to see at the 2nd annual Frieze Art Fair


JJ PEET: Floating Heads and Time Collector reviewed by Carol Cheh in Artillery


Erlea Maneros Zabala: Past Work reviewed by Sharon Mizota in the Los Angeles Times


Erlea Maneros Zabala included in Blind Spot issue 46 guest edited by Walead Beshty


Liz Glynn in Modern Painters: What She Finds: Histories through objects by Emily Ellis Fox


Silas Asher Kraus Born 3/13/13 @ 5:11pm  9lb 3oz !!!


Liz Glynn: [de]-lusions of Grandeur: The Myth of Getting It Right the First Time previewed on Unframed: the LACMA blog


Learn more about Liz Glynn’s performance series, [de]-lusions of Grandeur, at LACMA, here


Liz Glynn: highlighted in Buck the Trend: Artists Channel Buckminster Fuller on Gallerist NY trends


JJ PEET: included in Art Review’s Future Greats: 28 Artists for Tomorrow Selected by Leading Artists, Critics and Curators of Today by Tom Sachs


JJ PEET Review: A last love letter from a sunsetting civilization in ArtSlant.  by Andrew Berardini


Brian O’Connell Interview: Brian O’Connell Suya Açılan Delikler… | Openings to the water… in Sanat Dunyamiz, with Mine Haydaroglu.


JJ PEET Review: Floating Heads and Time Collector in the Los Angeles Times. by Holly Myers


JJ PEET: Floating Heads and Time Collector one of LAWeekly’s Five Artsy Things To Do This Week


JJ PEET: Floating Heads and Time Collector featured in ArtSlant’s Some Shows We Think You Should See


Mario Correa: The reticence of the artist / the anticipation of the questioner. Mario Correa and Geoff Tuck on Notes on Looking


Mario Correa: featured in The Huffington Post’s Haiku Reviews


Liz Glynn:  [de]-lusions of Grandeur: The Myth of Singularity (after Rodin)  one of the LAWeekly’s Five Artsy Things to Do This Week


Mario Correa: The Muslins reviewed by Christopher Knight in the Los Angeles Times


Bob Law: Castle XXXIX, 1976 one of’s Best of 2012 by Travis Diehl 


Liz Glynn: One of’s 25 artists to watch in 2013


JJ PEET: DEFEND_Station highlighted by Martin Herbert for Art Review 


JJ PEET: DEFEND_Station in purple DIARY


JJ PEET: DEFEND_Station in Time Out New York


JJ PEET: DEFEND_Station one of Modern Painters 100 Fall Shows to See Around the World 


JJ PEET: DEFEND_Station highlighted by Allison Meier for ARTINFO


Liz Glynn awarded a Center for Cultural Innovation – Investing in Artist Grant for Artistic Innovation


Liz Glynn: HOARD at


Liz Glynn: HOARD in ArtSlant


Mario Correa’s new woodblock print installation at Ooga Booga, 943 North Broadway, Chinatown, Los Angeles opened March 18th, 2012


Redling Fine Art in the LAWeekly


Redling Fine Art in Du Jour magazine


Jason Kraus: Edits on


Bob Law: Castle XXXIX, 1976 reviewed in the Los Angeles Times


Jason Kraus: Dinner Repeated reviewed by Holly Myers in the LA Times


Jason Kraus: Dinner Repeated one of LA Weekly’s Five Artsy Things to Do This Week

Liz Glynn: No Second Troy reviewed in Artforum


Liz Glynn: No Second Troy reviewed in ArtScene


Erlea Maneros Zabala: highlighted in Artforum’s critics’ pick for Affective Turns?


Liz Glynn: The Rise and Fall of Liz Glynn by Andrew Berardini, Mousse Magazine, December 2011 – January 2012, pages 148 – 154


Brian O’Connell: Not Quite Rejection in

Liz Glynn: Artist Liz Glynn, Destroyer of Cities, Sets Sights on Troy, The Standard, culture blog


Brian O’Connell: Ways and Means in the Los Angeles Times