News & Information:

This weekend is the last chance to see Walead Beshty & Kelley Walker’s Hardbody Software at Redling Fine Art
 

The culmination of Liz Glynn’s ArtPace residency, the exhibition Hold Nothing now on view in San Antonio, TX through May 18th.
 

Dashiell Manley will be included in the 2014 Whitney Biennial

 

Liz Glynn, Jason Kraus, and Dashiell Manley have all donated work to the 2014 CalArts Benefit and Auction
 

Brian O’Connell will be included in the 2014 “Made in LA” Biennial at the Hammer Museum

 

Walead Beshty + Kelley Walker, HARD BODY SOFT WARE, will open February 26th, 6 – 8pm

 

The Siren Song of Liz Glynn: The Artist on Shipwrecks, Pirates and Sending a Performer to Staten Island, Galleristny.com, By Micheal H. Miller

 

The Guggenheim just uploaded this little conversation between two of our favorite people: Erlea Maneros Zabala & Renaud Proch 

 

Liz Glynn’s first solo show at Paula Cooper Gallery On the Possibility of Salvage opened Saturday January 11th

 

Liz Glynn’s On the Possibility of Salvage a Critics’ Pick in ArtForum

 

Erlea Maneros Zabala: Process & Method, Guggenheim, Bilbao, October 31st – February 16th

 

Last Saturday, January 19th was Liz Glynn’s LAST [de]-lusions of Grandeur performance at LACMA focusing on Donald Judd’s Untitled (for Leo Castelli). The performance took place near the tar pit in Hancock Park at 1pm

 

Liz Glynn’s fourth [de]-lusions of Grandeur performance at LACMA focused on Smoke by Tony Smith, December 14th, 1pm.  Located near Smoke in the Ahmanson.  BE THERE OR BE A POLYHEDRON !

 

Redling Fine Art at NADA, Florida, December 5th – 8th

 

NOW ON VIEW Jason Kraus‘ third solo show at Redling Fine Art: Concrete Form

 

Liz Glynn’s third [de]-lusions of Grandeur performance at LACMA focusing on the work of Richard Serra

 

Brian O’Connell included in Architecture Undigested at Fused Space

 

Dashiell Manley included in Dress Rehearsal at Galerie Andreas Huber.  Curated by Franklin Melendez

 

Liz Glynn now represented by Paula Cooper Gallery

 

JJ PEET: Daniel Peet and JJ PEET In Proximity at Gallery Diet, Miami FL from April 19th – June 1st, 2013

 

New Artist Dashiell Manley /// New Artist Dashiell Manley///New Artist Dashiell Manley

 

Liz Glynn incluced in Neo Povera, at L&M Arts, Los Angeles running May 23rd – July 6th, 2013

 

Liz Glynn included in Works Sited, reprised curated by Olivian Chan at Cleopatra’s, New York, from May 5th – June 30th

 

Dashiell Manley: The Great Train Robbery (Scene 3 version B) one of LAWeekly’s Five Artsy Things To Do This Week

 

Liz Glynn: in the Guardian Frieze New York turns two with a giant balloon dog and a VIP-free speakeasy

 

Liz Glynn: in The Art Newspaper Free drink! If you’re lucky…

 

Liz Glynn in W Magazine: What to see at the 2nd annual Frieze Art Fair

 

JJ PEET: Floating Heads and Time Collector reviewed by Carol Cheh in Artillery

 

Erlea Maneros Zabala: Past Work reviewed by Sharon Mizota in the Los Angeles Times

 

Erlea Maneros Zabala included in Blind Spot issue 46 guest edited by Walead Beshty

 

Liz Glynn in Modern Painters: What She Finds: Histories through objects by Emily Ellis Fox

 

Silas Asher Kraus Born 3/13/13 @ 5:11pm  9lb 3oz !!!

 

Liz Glynn: [de]-lusions of Grandeur: The Myth of Getting It Right the First Time previewed on Unframed: the LACMA blog

 

Learn more about Liz Glynn’s performance series, [de]-lusions of Grandeur, at LACMA, here

 

Liz Glynn: highlighted in Buck the Trend: Artists Channel Buckminster Fuller on Gallerist NY trends

 

JJ PEET: included in Art Review’s Future Greats: 28 Artists for Tomorrow Selected by Leading Artists, Critics and Curators of Today by Tom Sachs

 

JJ PEET Review: A last love letter from a sunsetting civilization in ArtSlant.  by Andrew Berardini

 

Brian O’Connell Interview: Brian O’Connell Suya Açılan Delikler… | Openings to the water… in Sanat Dunyamiz, with Mine Haydaroglu.

 

JJ PEET Review: Floating Heads and Time Collector in the Los Angeles Times. by Holly Myers

 

JJ PEET: Floating Heads and Time Collector one of LAWeekly’s Five Artsy Things To Do This Week

 

JJ PEET: Floating Heads and Time Collector featured in ArtSlant’s Some Shows We Think You Should See

 

Mario Correa: The reticence of the artist / the anticipation of the questioner. Mario Correa and Geoff Tuck on Notes on Looking

 

Mario Correa: featured in The Huffington Post’s Haiku Reviews

 

Liz Glynn:  [de]-lusions of Grandeur: The Myth of Singularity (after Rodin)  one of the LAWeekly’s Five Artsy Things to Do This Week

 

Mario Correa: The Muslins reviewed by Christopher Knight in the Los Angeles Times

 

Bob Law: Castle XXXIX, 1976 one of Artforum.com’s Best of 2012 by Travis Diehl 

 

Liz Glynn: One of Complex.com’s 25 artists to watch in 2013

 

JJ PEET: DEFEND_Station highlighted by Martin Herbert for Art Review 

 

JJ PEET: DEFEND_Station in purple DIARY

 

JJ PEET: DEFEND_Station in Time Out New York

 

JJ PEET: DEFEND_Station one of Modern Painters 100 Fall Shows to See Around the World 

 

JJ PEET: DEFEND_Station highlighted by Allison Meier for ARTINFO

 

Liz Glynn awarded a Center for Cultural Innovation – Investing in Artist Grant for Artistic Innovation

 

Liz Glynn: HOARD at KCET.org

 

Liz Glynn: HOARD in ArtSlant

 

Mario Correa’s new woodblock print installation at Ooga Booga, 943 North Broadway, Chinatown, Los Angeles opened March 18th, 2012

 

Redling Fine Art in the LAWeekly

 

Redling Fine Art in Du Jour magazine

 

Jason Kraus: Edits on Dailyserving.com

 

Bob Law: Castle XXXIX, 1976 reviewed in the Los Angeles Times

 

Jason Kraus: Dinner Repeated reviewed by Holly Myers in the LA Times

 

Jason Kraus: Dinner Repeated one of LA Weekly’s Five Artsy Things to Do This Week


Liz Glynn: No Second Troy reviewed in Artforum

 

Liz Glynn: No Second Troy reviewed in ArtScene

 

Erlea Maneros Zabala: highlighted in Artforum’s critics’ pick for Affective Turns?

 

Liz Glynn: The Rise and Fall of Liz Glynn by Andrew Berardini, Mousse Magazine, December 2011 – January 2012, pages 148 – 154

 

Brian O’Connell: Not Quite Rejection in dailyserving.com


Liz Glynn: Artist Liz Glynn, Destroyer of Cities, Sets Sights on Troy, The Standard, culture blog

 

Brian O’Connell: Ways and Means in the Los Angeles Times